The ideal female body shape varies from time to time, depending on the culture and society in which it is expressed. The binary nature of beauty can limit women’s potential by imposing unrealistic expectations, and it can be harmful for the gender-diverse community. In order to create a positive experience for ourselves and others, we must remove ourselves from the standards of beauty and begin to value the unique beauty that we possess.
Beauty was a concern of ancient thinkers, who viewed beauty as an inherent part of human form. Helen of Troy, for example, was often considered the most beautiful woman in Greek mythology, and ancient Greek architecture reflected this ideal in symmetry and proportion. Even Sandro Botticelli, a great Renaissance artist, portrayed a classical personification of beauty in The Birth of Venus.
Aristotle and Plato disagreed about the exact definition of beauty. Classical conceptions defined beauty as a harmonious whole, with the parts of an object arranged in harmonious proportion. Hedonist conceptions, on the other hand, considered beauty as a means of achieving pleasure, and defined beautiful objects in terms of their value, function, or loving attitude.
Beauty is an experience that connects individuals to objects or communities of appreciation. While many philosophers emphasize the aesthetic value of objects, beauty is also an activity that requires intellect and practical activity. It also demands an assessment of suitedness. In this way, beauty can be a source of personal and social satisfaction. However, this is only possible when the object of appreciation is intrinsically good.
Beauty is a form of perfection. It is an experience that stimulates the senses. It also engages the intellect, aesthetic faculty, and moral sense. Aristotle considered beauty to be a harmonious arrangement of parts. Aristotle argued that the ideal of beauty consists of symmetry. The classic conception is the earliest conception of beauty.
Traditional theories of beauty were questioned by the French revolution. During the period of the French revolution, beauty became a symbol of aristocracy and became associated with capitalism. During this time, beauty was associated with wealth and became a means of hiding the suffering of the rich. In addition, beauty also became a source of moral critique.
Despite its inherent imperfections, the created world is infused with beauty. Beauty is the reflection of God’s Divine Goodness and Truth. While the created world is incomplete and unsatisfactory, beauty in God is perfect. God is the transcendent source of Goodness and Being, and the awe and delight he imparts to creation are manifestations of his goodness.
It is not easy to define beauty. It varies across cultures and people. Hume’s essay, Essays, Moral, Political and Literary (1758), clarified that beauty is a quality within the mind that contemplates a thing. As a result, beauty is a subjective quality that each individual perceives differently. Ultimately, it is important for an individual to acquiesce in their own sentiments and avoid tyrannical notions of taste and beauty.