Beauty is an aesthetic quality, or the capacity to please the senses or mind aesthetically. It can be found in all aspects of life, including nature and the arts.
The word beautiful can refer to people, objects or landscapes and has a wide range of meanings. For example: It can be used to describe a person or a landscape, and it can be used to praise someone who is beautiful.
In the first place it is important to note that beauty is a subjective feeling, so that it can be difficult to determine whether or not something is beautiful. This is because it depends on the feelings of the person who is judging it.
It can be defined as: Having or showing a high level of excellence, usually in terms of appearance, but can also be expressed through other qualities. The qualities of a work of art can be very attractive or pleasing to the eyes and can also be used to describe the work of an artist, and it is often used in conjunction with their name.
There are several adjectives which can be used to describe what is beautiful: lovely, pretty, handsome and fair. The adjectives pretty and handsome mean that the object is pleasing in a superficial way, while lovely means it is appealing in a more refined and delicate manner.
This is why the phrase ‘pretty face’ was a popular term in English until about the middle of the 18th century, and it is still used to describe the facial features of a person today.
The idea of proportion, symmetry and harmony is at the heart of the classical conception of beauty. The ancient Greeks and their Western counterparts like Plato and Aristotle believed that beauty was a way to arrange integral parts into a coherent whole, according to these principles.
Many philosophers have interpreted this to mean that the objective properties of the things we appreciate are what make them beautiful, and not their subjective qualities. This has been a standard approach to the problem of beauty since the mid-18th century, and was widely accepted until about 1900 when it began to be challenged by modernist artists who saw a need for aesthetic critiques of society.
However, in the twentieth century, philosophers began to struggle with the issue of beauty, particularly in terms of its political entanglements. This was a time when the world was full of wars and natural disasters, and the idea of beauty was becoming a more and more problematic concept in modernity.
The modernists began to re-define the idea of beauty in ways that were more socially critical and feminist, in the same way as a number of other philosophical topics. The new thinking, in particular, showed how the idea of beauty had become a way to justify certain practices in society or to hide the suffering they caused. The ideas of beauty became especially problematic in connection with race and gender, but the associations were broad as well.